Intricacies of Indian Architecture

In this post, I explore some of the key characteristics of Indian Art and Architecture that I found especially charming whilst on a recent trip to India. I see these qualities of architecture reflected also in many cultural objects and handicraft items, and vice versa. It has allowed me to appreciate how culture is reflected in many different facets of life, and how it all supports and inspires one other.

• Intricate Hand Detailing

• Delving into the Process

• Expression of Meaning

Intricate Hand Detailing

To begin, one prevalent quality is the very fine-level detailing of hand carvings in many exterior temple walls (mandovar), which is reiterated internally in the walls and domed ceilings, such as that of Akshardham mandir (photo above). These highly intricate carvings depict life-like murtis of figures from religious tradition and mythologies, elaborately united by blooming patterns and motifs of Indian flora and fauna. In this way, the sculpture becomes part of the architecture itself, with its ornate three dimensionality offering an intriguing spatial experience at multiple scales. This elegantly intricate style is also mirrored in many other cultural aspects, from clothing to henna designs to pottery.

Delving into the Process

The hand carvings of Akshardham and other such mandirs were often created through the will of volunteer craftspeople and builders, who realised the sculptures through dedicatedly working towards an intended vision, supported by indicative drawings. This voluntary effort allows incredibly detailed outcomes to be created, as it becomes not a matter of price, but rather a pure focus on delving into the process of creating art. The outcome shows the work of the human hand – the slight variations, the uniqueness of each sculpture, the elaborate details – it gives the architecture a more human feel and enhances the transcendental experience.

Expression of Meaning

Finally, the expression of natural motifs and universal themes on exteriors and interiors assist to further infuse architectural form with meaning. The Taj Mahal (photo above) was built by 1648, by Emperor Shah Jahan in honour of his wife, Mumtaz Mahal. The white marble mausoleum is inlaid with contrasting semi-precious coloured stonework for highlighting outlines of marble block construction, floral design work, and for inscribing scriptures. Walking into this monument felt like passing through an embodiment of eternal love, as expressed through its architectural design and embellishments.

In summary, the intricate handwork of Indian architectural detailing offers a beautiful transforming experience.